At the same time, it demonstrates how two artists, who are in some ways opposites, utilized a consummate purity of line involving mastery of various techniques of printmaking. Together, these opposite tendencies, linked by the music of pure linearity, suggest two major aspects of modern art, which, as Jones knew, express the turbulence and strange beauty of his time and ours.įrom an art historical perspective, the selection of these artists emphasizes two essential modes of modern art-Surrealism and Cubism-to compare and contrast aesthetically and psychologically. Our environment is deconstructed and constructed as we watch, entranced. Villon's linearity, on the other hand, tends to be Cubist and rectilinear, making ordinary objects shimmer prismatically. This artwork is one of a series of 10 conceptual drawings that combines architecture, art. In his work, we can see form emerge from and merge into process. Abstraction lyrique, or Lyrical Abstraction, was a predominantly French substyle of Art Informel it favored loose gestural painting with a more sensuous, romantic, or overall more 'lyrical' effect. Positive Psychology: Architecture as Lyrical Abstraction. These artists sought to expand the idea of abstract painting and to reassert the importance of the formal elements of line and color. But Hayter is a Surrealist whose curvilinear line often evokes dream, myth, and organic life. American Lyrical Abstraction developed as an art movement in the 1960s and 70s led by a group of artists including Dan Christensen, Larry Poons, Helen Frankenthaler, Robert Natkin, and Sam Francis. ![]() ![]() ![]() Villon and Hayter share a prodigiously elegant mastery of printmaking technique and what might be described as a musical or lyrical sense of the graphic line, which, in their work, seems to vibrate like the strings of an instrument so that linearity seems to sing. Catesby Jones (American, 1880–1946) combined pride in his venerable and distinguished Virginia ancestry with an ardent conviction that only modern art could communicate the spirit of his age while also giving a sense of "wholeness and connection." Two of the artists whose work he collected and donated to his alma mater, the University of Virginia, are Stanley William Hayter (British, 1901–1988) and Jacques Villon (French, 1875–1963).
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